Two Editors Arguing About Fronted Clauses

Lisez cet article à voix haute

Activez le micro et lisez à votre rythme. Les mots s’allument au fil de la lecture, et rien ne vous arrête quand l’un d’eux est mal prononcé.

Votre audio n’est jamais envoyé à MovaReader : c’est votre navigateur qui le reconnaît. Politique de confidentialité

Connectez-vous pour garder cette séance dans votre historique de lecture.

Two Editors Arguing About Fronted Clauses

11:47 p.m.

Mina pushed the printout across the table.

"That opening is still wrong."

Oleg did not look up.

"It is not wrong."

"It is difficult."

"Those are different accusations."

They had been editing the same essay for three hours. The author was writing about abandoned railway stations and the way cities preserve traces of routes that no longer exist. The prose was intelligent, but every second paragraph seemed determined to announce its intelligence through unusual word order.

The sentence under dispute read:

"Through the broken windows came the smell of wet stone and rust."

Mina tapped it with her pen.

"Why not simply write, 'The smell of wet stone and rust came through the broken windows'?"

"Because the windows matter first," Oleg said. "The sentence begins with the visual frame, then lets the smell enter it."