I. Crisálidas
, , , , , .
, , , , , , , , , , , .
A novel of Santander fishermen, for B2
José María de Pereda, 1906
José María de Pereda’s complete novel of 1885, not an adaptation. In the catalog it is B2: about 114,900 words and 25 words per sentence on average. 29 chapters about the fishermen’s quarter of Santander and Silda, an orphan nicknamed Sotileza; the speech is full of sea words and Cantabrian turns.
Earlier
At B1 the long chapters will be slow going: sentences of 40 words and more, old spellings such as á for a, and sea terms you will translate word by word.
B1This text
You can manage it at B2: the lighter chapters (V, XV, XX, XXVII) run at 15-18 words per sentence, and the dense ones can be read slowly, translating single words and the odd whole sentence.
Check this passageWith room to spare
At C1 the novel reads freely; only the nautical vocabulary and the Cantabrian turns of the seamen still send you to a dictionary.
Start readingThe average sentence has 25 words, level with other B2 books of the catalog such as El buscón (23) and Martín Fierro (25), and below María (29) and Bécquer’s legends (32). One word in thirteen has 9 letters or more (7.5%), short of the one in ten that marks the C1 books. The difficulty is uneven: chapters III, VII and XXII run at 40-47 words per sentence, while chapters V, XV, XX and XXVII stay at 15-18. Sea terms and Cantabrian words add work, but the sentences, not the vocabulary, set the pace. Hence B2. This is the catalog’s assessment, not a certificate.
Viuda e hijos de Manuel Tello, 1906. Project Gutenberg
In the fishermen’s quarter of Santander, the seaman tío Mechelín and his wife Sidora take in Silda, a girl left an orphan, and raise her among nets, lines and boats; the quarter nicknames her Sotileza, the word for the fine line that ends a fishing cord. She grows up beside Cleto, the rough lad Muergo and Andrés, the son of a rich shipowner who is drawn to the sea, while a poor priest, Padre Apolinar, gathers the quarter’s ragged children in his room and the guild of the seafarers rules its affairs. How their paths cross and where they end up is not revealed here.
I. Crisálidas
, , , , , .
, , , , , , , , , , , .
XVI. Un día de pesca
... ... . , . . , , . ¡ !... ¡ !
Choose an underlined word.
The sentence opens with a long list (the table, the chairs, the umbrella, half a dozen ragged children) and the verb trataba de pasearse arrives only near the end, followed by its subject, un cura de sotana remendada. Look for the verb first, then ask who does it. Also expect Pereda’s old accents: á is a, and tí is ti.
The mother’s voice is ironic: ¡Dará gusto ver...! (“it will be a joy to see...”) and ¡Buena educación y buenos modales aprenderás á su lado! say the opposite of what she means about Muergo. Read the dots as the breaths of a nagging flow of orders, and the exclamations as sarcasm, not as praise.
The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.
€1 a month
In chapter I one sentence runs 65 words and keeps its subject for the end: translating the whole of “trataba de pasearse, con grandísimas dificultades, un cura de sotana remendada” in Reader shows who is doing what.
ReaderIt is the original, not a learner’s abridgement: José María de Pereda’s complete novel, all 29 chapters, with the author’s dedication to his Santander contemporaries and its 1888 postscript. The text follows the fourth edition (Viuda e hijos de Manuel Tello, Madrid, 1906, volume IX of his complete works) from Project Gutenberg; the novel first appeared in 1885. The author’s own list of technical sea words printed after the story is not included.
Sotileza has no audiobook on MovaReader: here the novel is read on screen. The translation appears when you tap a word, and you will need it most for sea terms and local words such as chumbao (the lead weight of a fishing line) or sotileza itself, the fine line at the end of a cord.
Yes, with the Reader plan. In this novel it helps most in the long chapters III, VII and XXII (40-47 words per sentence), and in sentences like the 65-word one of chapter I, where trataba de pasearse, con grandísimas dificultades, un cura de sotana remendada keeps its subject for the end. Without the plan, single words are translated up to the daily limit.
The whole novel takes about 19-32 hours: the pace of someone reading with translation of new words, slower than a native speaker’s. Chapters run from about 2,600 to 6,600 words, so one chapter is a long evening’s reading.
It gets easier in stretches, not steadily. The densest chapters are III, VII and XXII (40-47 words per sentence); the lightest are V, XV, XX and XXVII (15-18). If a chapter wears you out, a lighter one is usually not far off.
Yes. Once you sign in, the reader keeps your last place and the words you opened, so you can come back to the novel every evening where you left off. Any of the 29 chapters also opens from the contents on this page, for example chapter I, where the story starts after the dedication.