II. El molinero y la molinera
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Alarcón’s comic novella, adapted for A2
Pedro Antonio de Alarcón
This is a retelling of The Three-Cornered Hat (El sombrero de tres picos) in simple Spanish, not the original text: MovaReader wrote this adaptation in short sentences, without the narrator’s long asides of 1874. If you were looking for Alarcón in Spanish and the complete B2 text is still too hard, this is the same story of the miller Lucas, his wife Frasquita and the old Corregidor, one you can actually finish at A2. In the catalog it is A2: about 8,000 words, 10 words per sentence on average, 1-2 hours of reading. Its fourteen chapters lead from the mill under the vine to one very long night.
Earlier
At A1 the past tenses and usted will stop you: the story runs in the pretérito indefinido and imperfecto (salió, cayó, era, tenía), with 10 words per sentence on average, against 5-7 in A1 adaptations.
A1This text
Just right for A2: short scenes and lively dialogue in the past tenses you know, and words like corregidor, alguacil and caz are explained by the text itself.
Check this passageWith room to spare
At B1 it is an easy evening’s read; next try a B1 retelling such as Don Juan Tenorio (11 words per sentence) or Alarcón’s original at B2, with 18 words per sentence.
Start readingThe average sentence has 10 words, as in the Spanish A2 adaptations Lazarillo de Tormes and The Trickster of Seville, against 5-7 in A1 adaptations and 11-12 in B1 retellings such as Don Juan Tenorio. A word of 9 letters or more comes up about once in 24 words (4.2%): more often than in Lazarillo (2.2%) and close to Quiroga’s Stories of Love, Madness and Death at A2 (3.9%). But more than half of those words are three names, corregidor and Frasquita (82 times each) and corregidora (11); without them the share is 2.0%, as in Lazarillo. The story runs in the pretérito indefinido and imperfecto, much of it dialogue in «» quotes, the Corregidor is addressed with usted and Su Señoría (siéntese, váyase), and the subjunctive is rare (aunque quemen la casa, si yo fuera). The original in the catalog is B2: 18 words per sentence and one long word in eleven (9.3%), with 44 words per sentence in the preface and the first eight chapters. Here the chapters have 8-14 words per sentence, the longer ones being the descriptive chapters I-III. Hence A2. This is the catalog’s assessment, not a certificate.
MovaReader. Project Gutenberg
Spain, 1805. Outside a town in Andalusia stands a mill, and every evening the town’s most important men gather under its vine: the bishop, a lawyer, the canons and the Corregidor, the king’s magistrate. They come not only for the grapes and cherries but for the miller’s wife, the cheerful Frasquita from Navarre. Her husband Lucas, ugly, stooped and witty, trusts her completely. The old Corregidor, Don Eugenio, in his three-cornered hat and red cloak, is in love with Frasquita, and when she playfully sends him tumbling with his chair, he swears revenge. His constable Garduña comes up with a plan, and late at night a messenger from the village mayor knocks at the mill door with an order that takes Lucas away from home. What the miller finds when he comes back, and who outwits whom, the book tells.
II. El molinero y la molinera
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VII. Una orden en la noche
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Choose an underlined word.
The portrait runs in the imperfect: era, tenía, sabía describe what Lucas was always like, not what he did. Había enseñado (pluperfect) says he had taught the dog earlier. Fueran pobres o ricos, in the subjunctive, means “whether they were poor or rich”, and tan cargada que parecía jorobado builds a result: “so stooped that he looked hunchbacked”.
Literally “how much you are worth!”, really “what a woman you are!”: Lucas praises his wife for having the gun ready. In the mayor’s order, tiene que venir is an obligation, “has to come”, and decírselo is decir plus se (for le before lo) plus lo: “to tell it to someone”. Venga, lee here does not mean “come”, but “go on, read”.
The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.
€1 a month
Reader helps in chapter VII, where Lucas thinks Pero Frasquita es Frasquita, y no va a abrir la puerta aunque quemen la casa: translating the whole sentence shows how aunque with the subjunctive says “even if”.
ReaderThis is a MovaReader adaptation, not the original text: Pedro Antonio de Alarcón’s comic novella The Three-Cornered Hat (El sombrero de tres picos, 1874) retold in simple Spanish in 14 chapters instead of 36, without the author’s preface. All the main scenes remain: the mill under the vine, the Corregidor falling over with his chair, the first grapes for the bishop, Garduña’s plan, the mayor’s order at night and two donkeys that recognise each other on a dark road. The narrator’s asides on the politics of 1805 and his comparisons with Othello, Rubens or Titian, the bishop’s Latin, a few minor characters and the historical epilogue are shortened. The complete novella is in the catalog as a separate book, at B2.
There is no audiobook of this adaptation in MovaReader; the text is read on screen. Tap an unfamiliar word to see its translation, here mostly words of village life and authority such as molinera, alguacil or trabuco.
Yes, with the Reader plan. Sentences here are short, 10 words on average, so you will rarely need a whole one translated, except in conditions such as Si un día pierdo esa fe, me muero o me convierto en otro hombre. Without the plan, single words are translated up to the daily limit.
About 1-2 hours, reading with translations of new words rather than at a native speaker’s pace. The 14 chapters average about 570 words: the shortest is I, 344 words, the longest XIII, 906, so an average chapter takes 4 to 9 minutes.
There are no separate bands. Chapters I-III, which describe the mill, the couple and the Corregidor, have 12-14 words per sentence, and from chapter IV, where the dialogue starts, mostly 8-11. Long words are more frequent in chapters XI-XIV (5-6%), but they are mostly corregidor and corregidora on every page; without them it is 1.5-3.3%.
Yes, once you sign in, the reader remembers your place and the words you opened. Any chapter also opens from the contents on this page, for example VII, where someone knocks at the mill door late at night.