VII. Книга перша: розділ 7
, , , , , . , , , . , , , . , , . , , , .
A 1920s parody of the travel novel
Maik Yohansen, 1928
The complete original Ukrainian text, not an adaptation, of Maik Yohansen’s experimental novel «Подорож ученого доктора Леонардо і його майбутньої коханки прекрасної Альцести у Слобожанську Швайцарію» (“The Journey of the Learned Doctor Leonardo and His Future Mistress, the Beautiful Alcesta, to Slobozhanska Switzerland”), as first printed in the Kharkiv almanac «Літературний ярмарок» in 1928. Yohansen (also spelled Mike Johansen) was a Kharkiv poet, novelist and linguist of the 1920s, shot in 1937. For advanced learners (C1) who enjoy a narrator who argues with his reader and want the river, forest and bird vocabulary of Slobozhanshchyna, the Donets country south-east of Kharkiv. About 15,700 words in two books and 29 chapters, about 3 to 4 hours of reading.
Earlier
At B2 the scenes with the carter Cherepakha and the tree-planter are within reach, but Leonardo’s lectures, the narrator’s asides and the 1928 spelling (подорожи, инший, одповів) will slow you on most pages.
B2This text
At C1 it reads in three or four evenings, a few short chapters per sitting. Book One is the slow boat trip and its landscapes; Book Two moves faster, with a night in the hut, a flight into the forest and a storm on the river.
Check this passageWith room to spare
At C2 the language sets no obstacles; what remains is Yohansen’s game: an old woman the narrator conjures up and then removes, “laws of the plot” that the hero obeys, verses by “the one who created us”, and jokes about Kharkiv life in the 1920s.
Start readingAbout one word in nine has 9 letters or more (10.8%), above the 10% at which the catalogue moves an original to C1, and sentences average 21 words, one of the longest averages among the Ukrainian originals in the catalogue (The Witch of Konotop has 27, The Princess 18). Khvylovy’s Blue November and Other Stories, from the same Kharkiv decade, has a similar share of long words (10.2%) but only 8 words per sentence. Yohansen builds a paragraph as one winding period of conditionals and asides in dashes (“коли б вона була живою, реальною бабою…”), and the chapters are uneven: chapter I of Book Two runs to 35 words per sentence, chapter X of Book Two to 14. The words come from the river and the forest (нетеча, латаття, бушприт, щурка, синьовуд) and from mock-learned talk (апокрифічний, алгебраїчний, стерилізується). The almanac keeps the Kharkiv spelling of 1928: подорожи for подорожі (11 times), любови (4), genitives in -ости (радости, тверезости, геніяльности), инший and инше (14), ініціялів and матеріяльний, од- for від- (одповів, одсуваючи), проєкт; rural characters speak a Russified Ukrainian (понімають, бамажна хвабрика). Hence C1. This is the catalogue’s assessment, not a certificate.
Літературний ярмарок, 1928. Wikisource
A narrator who openly invents his heroes sends the learned doctor Leonardo, a venereologist who says he was born near Bologna, and the beautiful Alcesta, his companion of many years who is not yet his lover, on a summer trip to “Slobozhanska Switzerland”, the wooded hills along the Donets river near Zmiiv. The drunken carter Cherepakha and his horse Volodko take them to the village of Bakhtyn, where they get into a boat. Along the way the narrator keeps abandoning his heroes for an old woman he admits he has made up, Leonardo lectures Alcesta on eagles, bee-eaters and the cattle bells that sound like flutes, and the boat overturns in the shallow river. At nightfall they reach the white hut of a former woodcutter, now a “tree-planter”, a shaggy sixty-year-old who drinks in Zmiiv, recites verse printed on a salt bag and fires his sawn-off rifle at every rustle in the hazel bushes. Next morning a newspaper report about who Leonardo really is sends Alcesta running into the forest, where the giant student Orest Perebyinis, who plays the sopilka, offers to take her down the river. What happens next is not revealed here.
VII. Книга перша: розділ 7
, , , , , . , , , . , , , . , , . , , , .
V. Книга друга: розділ 5
. , , . , , , , , , , , . .
Choose an underlined word.
Yohansen strings actions together with adverbial participles: одкидаючися (“leaning back”), підстеливши (“having spread out”), затопляючи (“pushing under the water”), лоскочучи (“tickling”). A form in -чи/-учи/-ючи happens at the same time as the main verb; a form in -вши/-ши happened first. Одкидаючися is the 1928 spelling of today’s відкидаючись.
Read the portrait part by part: the face “looked” with small eyes and “sniffed” with two huge nostrils (дивилося, нюхало), the hair “hung” and “grew” (звисало, росло), and a list of places with з (з вух, з шиї, з кінця носа) ends in a scholarly word, троглодитського. The last sentence turns the man into an advertisement. Масти is the old genitive of масть (“ointment, hair cream”).
The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.
€1 a month
Leonardo speaks in long, mock-learned periods that are easier to take in whole, and that is where whole-sentence translation in Reader helps, for example his answer to the carter in chapter II: “Закони фабули, милий Черепахо, непорушні й непохитні, як фізичні закони” (“The laws of the plot, dear Cherepakha, are as fixed and unshakeable as the laws of physics”).
ReaderIt is the original, not a learner’s version: the complete novel in both its books, with all 29 chapters and the epilogue, as first printed in the Kharkiv almanac «Літературний ярмарок» (book 1, 1928) and transcribed on Wikisource. The text keeps that printing’s spelling, the Kharkiv orthography of the late 1920s: подорожи for today’s подорожі, любови for любові, радости for радості, инший for інший, одповів for відповів, ініціялів for ініціалів. The verse passages are Yohansen’s own and stay. The narrator jokes frankly about sex and venereal disease, and a few characters use crude words of the period, including an ethnic slur the tree-planter applies to himself; the text is left as the author wrote it.
There is no audiobook on MovaReader: the novel is read on screen. Tap a word to see its translation; you will need it from the first page for words such as нетеча (“a backwater, a dead arm of a river”) or древонасадець (“tree-planter”, the narrator’s name for the former woodcutter who takes the travellers in).
Yes, with the Reader plan. It helps where the narrator twists a sentence around his own fiction, for example after he dismisses the old woman he invented: “Баби не було, як не було й розмови про овес” (“There was no old woman, just as there was no talk about oats”). Without the plan, single words are translated up to the daily limit.
The whole novel takes about 3 to 4 hours at the pace of someone reading with translation of new words, slower than a native speaker’s. Book One has about 5,100 words in 12 short chapters, from about 90 words (chapter XI, a poem) to about 760 (chapter I). Book Two has about 10,600 words in 17 chapters; the longest is chapter XV with about 1,300 words. Chapter XVII of Book Two is only one line long and shares its place in the contents with the epilogue.
It does not get steadily easier; it changes from chapter to chapter. The densest are chapter I of Book Two (about 35 words per sentence), chapter IV of Book Two and chapter II of Book One (about 32 each), where Leonardo or the narrator reasons at length. Chapters with more dialogue are lighter: chapter III of Book One (16), chapter V of Book Two (15) and chapter X of Book Two (14). The average for the whole novel is 21 words per sentence.
Yes. Once you sign in, the reader keeps your last place and the words you opened. Any chapter also opens from the contents on this page, for example the portrait of the tree-planter in “V. Книга друга: розділ 5”.