Libro primero. I. En que cuenta quién es el Buscón.
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A picaresque novel full of puns, for B2
Francisco de Quevedo
Francisco de Quevedo’s picaresque novel, complete and in the original Spanish, not an adaptation. In the catalog it is B2: about 43,100 words and 23 words per sentence on average. Three libros of 23 short chapters follow the rogue Pablos from Segovia to Alcalá, Madrid and beyond; what makes it hard is not the grammar but Quevedo’s wordplay.
Earlier
At B1 the long portraits and sentences chained with semicolons will be slow going, and many jokes and slang words will need unpacking.
B1This text
You can manage it at B2: the plot moves fast and sentences average 23 words. Read the portraits slowly, translate single words, and do not worry if a few puns stay opaque.
Check this passageWith room to spare
At C1 the story reads freely; only Quevedo’s conceptos, the double meanings packed into single phrases, and the criminal slang still need attention.
Start readingThe average sentence has 23 words and one word in fifteen has 9 letters or more (6.6%). That sits inside the B2 range of the catalog’s complete texts, close to Pepita Jiménez (22 words) and far below Paradise Lost and Don Quixote (38 and 43 words, both C2). The level is even from chapter to chapter, from 18 to 28 words per sentence. What costs effort is meaning rather than length: conceptista wordplay with double senses, thieves’ slang (germanía), hyperbolic portraits such as the 156-word sentence about the licenciado Cabra, and 17th-century forms like agora or pronouns after the verb (díjome, fueme). Hence B2: the plot is easy to follow, but some jokes will need a second look. This is the catalog’s assessment, not a certificate.
Project Gutenberg. Project Gutenberg
Pablos, born in Segovia to a barber who steals and a mother with a doubtful past, is set on rising above his birth and becoming a gentleman. He serves the son of a nobleman, don Diego, first at the starving boarding school of the licenciado Cabra and then at the university of Alcalá, where newcomers are hazed. When news from home shows him what his family really is, he heads for Madrid and falls in with beggars, card sharps, poets and rogues, posing as a nobleman to marry money. Whether the pose holds, and where his luck takes him, is not revealed here.
Libro primero. I. En que cuenta quién es el Buscón.
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IV. Del hospedaje de su tío, y visitas; la cobranza de su hacienda y vuelta a la corte.
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Choose an underlined word.
Quevedo packs insults into innocent images. Metía el dos de bastos para sacar el as de oros is a card-game picture: slipping in a two of clubs to pull out the ace of gold, which here means stealing. The diminutives hermanico and angelico sound tender but soften a brutal fact: the boy died after a flogging in prison. Do not translate such phrases word for word; ask what the image stands for.
Pablos says little, but the nails tell the story: penca, cordeles, lazos, cuchillos and escarpias hang on the wall before anyone names the uncle’s trade. The dry remark “para si se diferenciaba en algo de la horca” (to see whether it differed from the gallows) is understatement used for effect. Note the pronoun after the verb in díjome and the verb-first order of Colgó la penca, typical of this prose; Dios sabe cuál estaba means “God knows how I felt”.
The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.
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In the portrait of the licenciado Cabra one sentence runs to 156 words, from “Él era un clérigo cerbatana, largo sólo en el talle” onward: translating the whole sentence in Reader shows how the chain of comparisons builds the joke.
ReaderIt is the original, not a learner’s abridgement: Francisco de Quevedo’s complete novel, all 23 chapters in three libros. The text comes from a Project Gutenberg digital edition that does not say which print edition it follows. The novel was first printed in Zaragoza in 1626 (the cover shows that title page), after circulating in manuscript.
El Buscón has no audiobook on MovaReader: the novel is read on screen. The translation appears when you tap a word, and you will need it most for slang and rare words such as faldriqueras or escarpias.
Yes, with the Reader plan. In this novel it helps most in the long portraits, for example the 156-word sentence that begins “Él era un clérigo cerbatana” in the third chapter of the first libro. Without the plan, single words are translated up to the daily limit.
The whole novel takes about 7-12 hours: the pace of someone reading with translation of new words, slower than a native speaker’s. Chapters run from about 700 to 3,300 words, so one or two make an evening.
It stays even. Chapters average between 18 and 28 words per sentence, with only a slight rise in the last chapters of the third libro, where the slang gets thicker. The densest passages are the set-piece portraits, such as the one of the licenciado Cabra.
Yes. Once you sign in, the reader keeps your last place and the words you opened, so you can come back to the novel every evening where you left off. Any of the 23 chapters also opens from the contents on this page, for example the first chapter of the second libro.