Concert risks: may, might, could (B1)
Problemas antes de un concierto con más de 40 may/might/could. Lectura B1 con traducción.
Things That Could Go Wrong Before the Concert
Lectura para practicar
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Practica may, might, could para contratiempos posibles antes de un concierto.
Nivel: B1Tema: May/might/could — problemas posibles; 40+ ejemplos
I am Ava. My band might play our first public concert on Friday, and many small problems could appear before we walk on stage. We might prepare for them calmly instead of panicking.
The venue might double-book the hall. Our manager could call twice to confirm, yet someone might still arrive with another contract. We might need backup plans if the room might not be available.
Transport might fail. The drummer might miss the train, and traffic could block the van. We might ask whether a taxi could reach the station faster, or we might borrow equipment locally.
Sound checks might run late. A cable might break, and feedback could scream through the speakers. The technician might say the mixer could need resetting, and we might lose twenty minutes.
The weather might turn cold for an outdoor stage. Strings might go out of tune quickly, and fingers could stiffen. We might bring extra blankets and might tune guitars again before the opening song.
A singer might lose her voice. She could drink warm tea all day, yet hoarseness might remain. We might shorten the set or might ask whether our guitarist could sing two verses.
Tickets might sell slowly online. Social media posts could fail to reach new fans, and posters might fall in the wind. We might print fresh flyers and might ask friends to share links.
Merchandise might not arrive. T-shirts could sit in a warehouse, and payment systems might glitch at the door. We might sell digital albums instead and might email download codes.
Security might question our load-in time. A guard could ask for passes we might have left at home. We might phone the promoter, who may confirm our names at the entrance.
During rehearsal our bassist might forget a chord change. He could blame nerves, yet the mistake might repeat. We might practice the bridge again until muscle memory might feel secure.
Food might not reach the crew. Catering could cancel, and volunteers might hunt for sandwiches. We might share snacks from our bags so nobody might perform on an empty stomach.
Audience members might arrive late and might block aisles. Ushers could ask them to sit quickly, and we might delay the start by five minutes. The mood might still build once the lights might go down.
Even if several things might go wrong, the show could still succeed. We might adapt, might help one another, and might remember why we might play music in the first place.
The venue might double-book the hall. Our manager could call twice to confirm, yet someone might still arrive with another contract. We might need backup plans if the room might not be available.
Transport might fail. The drummer might miss the train, and traffic could block the van. We might ask whether a taxi could reach the station faster, or we might borrow equipment locally.
Sound checks might run late. A cable might break, and feedback could scream through the speakers. The technician might say the mixer could need resetting, and we might lose twenty minutes.
The weather might turn cold for an outdoor stage. Strings might go out of tune quickly, and fingers could stiffen. We might bring extra blankets and might tune guitars again before the opening song.
A singer might lose her voice. She could drink warm tea all day, yet hoarseness might remain. We might shorten the set or might ask whether our guitarist could sing two verses.
Tickets might sell slowly online. Social media posts could fail to reach new fans, and posters might fall in the wind. We might print fresh flyers and might ask friends to share links.
Merchandise might not arrive. T-shirts could sit in a warehouse, and payment systems might glitch at the door. We might sell digital albums instead and might email download codes.
Security might question our load-in time. A guard could ask for passes we might have left at home. We might phone the promoter, who may confirm our names at the entrance.
During rehearsal our bassist might forget a chord change. He could blame nerves, yet the mistake might repeat. We might practice the bridge again until muscle memory might feel secure.
Food might not reach the crew. Catering could cancel, and volunteers might hunt for sandwiches. We might share snacks from our bags so nobody might perform on an empty stomach.
Audience members might arrive late and might block aisles. Ushers could ask them to sit quickly, and we might delay the start by five minutes. The mood might still build once the lights might go down.
Even if several things might go wrong, the show could still succeed. We might adapt, might help one another, and might remember why we might play music in the first place.
Sobre el artículo
Nivel B1Enfoque de lectura
Qué aprenderás
May/might/could — problemas posibles; 40+ ejemplos
Practica may, might, could para contratiempos posibles antes de un concierto.
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