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An essay on ideals and mediocrity for C1

The Mediocre Man El hombre mediocre

José Ingenieros, 1913

An essay by the Argentine physician and thinker José Ingenieros from the 1913 first edition, not an adaptation. In the catalog it is C1: about 71,000 words and 21 words per sentence on average. 10 parts on idealists, mediocre people, envy and genius; there is no plot, so it reads well one part at a time.

  • C1
  • 70 983 words
  • 12-20 hours

Will this text hold?

The average sentence has 21 words, almost as in Pardo Bazán’s A Wedding Trip (20), but one word in six has 9 letters or more: the highest share among the catalog’s Spanish books, where The Lady of the Camellias and A Wedding Trip have one in ten. It is an essay without a plot, with abstract words like excelsitud or inasible. The difficulty is even: all ten parts run between 18 and 23 words per sentence. Hence C1: the densest vocabulary on the shelf, but sentences no longer than in the C1 novels. This is the catalog’s assessment, not a certificate.

70 983
words
21
words in an average sentence
12-20
hours of reading
1913
Renacimiento

Renacimiento, 1913. Project Gutenberg

What it is about, without the ending

Ingenieros sets idealists, who strive for perfection, against mediocre people, who live by habit and other people’s opinions. He examines intellectual and moral mediocrity, envy, old age that levels everything, and mediocracy, the rule of the mediocre in society. The last parts turn to genius, including the Argentines Sarmiento and Ameghino. There is no plot: each part reads as a separate essay.

Compare two places

El hombre mediocre

I. La moral de los idealistas

, , . , . ; . : . . , .

VI. La envidia

, . . . . : ¿ ? , , : ¿ ?

Choose an underlined word.

Project Gutenberg

The author says tú

Ingenieros addresses the reader as tú: pones, tiendes, llevas, custódiala. The first sentence is long because the cuando... clause pulls in several phrases, and the main point arrives only at the end: llevas en ti el resorte misterioso de un Ideal (“you carry within you the secret spring of an Ideal”). Á with an accent is the 1913 spelling of today’s a.

A fable instead of a definition

Here the essay turns into a fable for a moment, and the sentences shorten. A toad (sapo) sees a firefly (luciérnaga) up on the rocks and smothers it with its cold belly. The whole point lies in the two questions at the end: ¿Por qué me tapas? (“why do you cover me?”) and ¿Por qué brillas? (“why do you shine?”). Toscas are rocks here, as they say in Argentina.

Chapters

  1. ILa moral de los idealistas
  2. IIEl hombre mediocre
  3. IIILa mediocridad intelectual
  4. IVLa mediocridad moral
  5. VLos caracteres mediocres
  6. VILa envidia
  7. VIILa vejez niveladora
  8. VIIILa mediocracia
  9. IXLos arquetipos de la mediocracia
  10. XLos forjadores de ideales

Translation while you read

The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.

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The very first sentence of the book runs through several phrases before its main point: translating the whole sentence in Reader shows where it lies.

Reader

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Before you read

Is this the original or a learner adaptation?

It is the original, not a learner’s abridgement: José Ingenieros’s complete essay, all 10 parts. The reader follows the 1913 first edition (Renacimiento, Madrid and Buenos Aires) and keeps the spelling of the time: á and ó with accents where today one writes a and o.

Is there an audiobook?

The Mediocre Man has no audiobook on MovaReader: here the essay is read. The translation appears when you tap a word, and you will need it most for abstract words such as excelsitud or inasible.

Can I translate a whole sentence?

Yes, with the Reader plan. In this essay it helps most in parts IV and VII, “La mediocridad moral” and “La vejez niveladora”, where sentences average about 23 words. Without the plan, single words are translated up to the daily limit.

How many hours does it take?

The whole essay takes about 12-20 hours: the pace of someone reading with translation of new words, slower than a native speaker’s. The parts run from 4,400 to 11,600 words, so one takes an evening or two.

Where does the text get easier?

The difficulty is even: all ten parts run between 18 and 23 words per sentence, with a long word from one in seven to one in five. The lightest in vocabulary is part VI, “La envidia”, with its fable of the toad and the firefly.

Will my place in the book be saved?

Yes. Once you sign in, the reader keeps your last place and the words you opened, so you can come back to the essay every evening where you left off. Any of the 10 parts also opens from the contents on this page, for example part VI, “La envidia”.

Open the first chapter