El rey burgués (Canto alegre)
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Modernist tales and poems for B2
Rubén Darío, 1917
Rubén Darío’s complete book of tales and poems, not an adaptation, in the text of the enlarged edition that added sonnets and medallions to the 1888 original. In the catalog it is B2: about 25,700 words and 21 words per sentence on average. 39 pieces: eleven prose tales, among them “El rey burgués” and “El pájaro azul”, twelve sketches “En Chile”, a prose romance and the verse of “El año lírico”, the sonnets and the medallions; the densest sentences are in “La canción del oro” and “El palacio del Sol”.
Earlier
At B1 the long periods of “La canción del oro” and “El palacio del Sol” (about 31 words per sentence) will be slow, and the words for gems, myth and French borrowings, such as flamantísimas, ditirambos or esmaragdina, will need a lookup.
B1This text
You can manage it at B2: most tales move in sentences of 15 to 25 words and the verse is read a stanza at a time; translate single words, and the whole sentence when a period runs across several lines.
Check this passageWith room to spare
At C1 the book reads freely; what remains are the allusions to Parnassian poets, Greek myth and Paris café life, which need no dictionary but reward a little background.
Start readingThe average sentence has 21 words and one word in thirteen has 9 letters or more (7.6%), inside the catalog’s B2 range for complete texts: longer sentences than Niebla (13 words) and about as long as Pepita Jiménez (22), but well under the 9.9% of long words where the catalog’s C1 books begin. The difficulty is uneven: the tales run from about 15 words per sentence (“El pájaro azul”) to about 32 (“La canción del oro”), and the poems are punctuated in long periods that span several stanzas. Modernist vocabulary (gems, myth, French loans) pushes the long words up, but the images themselves are short and concrete. Hence B2. This is the catalog’s assessment, not a certificate.
Mundo Latino, 1917. Project Gutenberg
This is not a novel but a book of short pieces. A king who collects art and prizes only what is polished and academic, a deaf satyr, a gnome who hears that a chemist has made rubies, a ragged poet walking past the palaces of the rich, and a bohemian painter named Garcín, who says he has a blue bird in his brain, each get a tale. Between them come twelve sketches written in Chile, the prose romance “A una estrella” and “La muerte de la emperatriz de la China”. The second half is verse: the four seasons of “El año lírico”, three sonnets and five portraits of poets. How each tale ends is not revealed here.
El rey burgués (Canto alegre)
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El pájaro azul
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Choose an underlined word.
The king’s court is described in long lists of rich things (“trajes caprichosos y ricos, esclavas desnudas...”), and the question “¿Era un rey poeta? No, amigo mío: era el Rey Burgués” turns the list into irony. Read each list as one idea: a king who collects things and feels nothing. Flamantísimas is flamantes with -ísimas, “very, very new”. The “* * *” marks are scene breaks, not misprints.
Garcín’s friends speak the literary Spanish of the 1890s: ¿No sabéis...? and habéis de saber are vosotros forms (sabéis, habéis), and fué is fue written with an accent that the spelling later dropped. Habéis de saber que... means “you must know that...”.
The book stays free on every plan. Reader, €1 a month, removes the daily limit on words and sentences.
€1 a month
In “El rey burgués” a sentence such as “Era un rey sol, en su Babilonia llena de músicas, de carcajadas y de ruido de festín” packs a metaphor and a list into one line: translating the whole sentence in Reader shows how the images fit together.
ReaderIt is the original, not a learner’s abridgement: Rubén Darío’s Azul... with all its tales and poems (39 pieces). The text follows the enlarged edition, which added sonnets and medallions to the first Valparaíso edition of 1888; the copy is the Mundo Latino edition (Madrid, 1917) from Project Gutenberg. Juan Valera’s prologue letters are left out, because they are not Darío’s text.
Azul... has no audiobook on MovaReader: here the book is read on screen. The translation appears when you tap a word, and you will need it most for modernist words such as ditirambos or destartalado.
Yes, with the Reader plan. It helps most in the long periods of “La canción del oro” and “El palacio del Sol”, and in verse that runs across lines, for example “Era un rey sol, en su Babilonia llena de músicas, de carcajadas y de ruido de festín”. Without the plan, single words are translated up to the daily limit.
The whole book takes about 4-7 hours: the pace of someone reading with translation of new words, slower than a native speaker’s. The 39 pieces are short, from about 100 to 2,300 words, so several fit in one evening.
It does not get steadily easier; it depends on the piece. The lightest are “El pájaro azul” (about 15 words per sentence) and “La muerte de la emperatriz de la China” (about 15), the densest “La canción del oro” (about 32) and “El palacio del Sol” (about 31). Each piece stands alone, so you can start with “El pájaro azul” (piece 9) and return to the harder ones later.
Yes. Once you sign in, the reader keeps your last place and the words you opened, so you can return to the book where you left off. Any of the 39 pieces also opens from the contents on this page, for example “El pájaro azul” without reading the ones before it.